The painting shows a harbor in Le Havre, with the sun rising over the anchored ships. Painted in 1872, Impression, Sunrise was one of the paintings Monet showed at the inaugural Impressionist salon. Monet often took the brunt of the criticism leveled at the impressionist movement, as he was its most outspoken advocate and his paintings, more than any others, captured the essence of Impressionism. While the show was not a critical success, it was the first time Monet and his peers were referred to as “Impressionists” – although the name was meant to be insulting, the group embraced it. The first show, L’Exposition des Révoltés, was held in April 1874, featuring Monet and 29 other artists. It was then they decided to hold their own art show, free of the constraints of the government-organized salons. Along with Renoir, Pissarro, and Manet, Monet founded the Cooperative and Anonymous Association of Painters, Sculptors and Engravers. The Impressionist movement was born when artists wanted to show their work without the approval of the French art academy. The surrounding landscapes provided inspiration for Monet’s famous garden series, which continued until his death in 1926. Together with fellow artists Renoir, Bazille and Sisley, Monet explored the effects of painting en plein air, forming the basis of Impressionism.Īfter the death of his beloved wife Camille in 1879, Monet moved to Giverny. Monet’s aunt, whom he was living with at the time, agreed to support Monet’s exemption if he agreed to undertake an art course, so in 1862 he became a student of Charles Gleyre. After a year of service, Monet contracted typhoid fever and went absent without leave. His studies were interrupted when he was drafted into the First Regiment of the African Light Cavalry although his wealthy father had the opportunity to pay for Monet’s exemption from conscription, he refused to do so after Monet refused to give up painting. He took a different approach, preferring to sit at a window and paint what he saw. When travelling to Paris, Monet noticed other arts students copying pieces from the great masters. Monet, along with other artists upheld an unofficial art exhibition to disjoin from the existing art form and give art a new direction.Monet in front of his famed Water Lily series. However, it was not the subject matter nor the color composition of the painting that grabbed the attention. Monet called this painting “Impression” because he wanted to “put impression” on it. This series, with the specific painting, “Impression, Sunrise”, gave rise to “The Impressionist Movement” as it deviated away from the established art direction. Inspired from Edouard Manet’s ease in workmanship, Monet adopted a similar stance in laying out his paintings. Displeased from the traditional form of art, Monet’s series of 7 paintings of Le Havre port revolutionized a new style. A typical painting in that time had 3D perspective, in-depth use of colors, realistic color compositions, detailed contour lines and perfect forms of shapes and features. Until the end of 18th century, there were quite many regulations on art and how it should look like. Monet uses off colors to build the canvas, on which he uses straight, rough strokes of pure color. The cold atmospheric greyish-blue colors of the hazy mist in the scene seems to be illuminated by the sun and the orange sky. The lighting focuses on the warm sun, making a reflection of its light on the water. The color composition creates a contrast of cold and warm colors. The unrealistic reflection on the water with black lines fades away as we progress from the foreground to the background it is same with the boats. ![]() This aerial perspective can also be seen as it echoed in the water. There are 3 boats in the scene in a straight line, made with aerial perspective. It focuses more on the mood and the environment rather than the eye-pleasing realistic sweetness. This is one of the first paintings to appear as “unfinished”, but this is the beauty of the painting that it does not appear to be conventional. The painting is a view of the port Le Havre from a window of a hotel.
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